Trailblazing First
One of Singapore’s leading lights in classical dance, acclaimed internationally for path-breaking productions and cultural diplomacy.
Trailblazing First
One of Singapore’s leading lights in classical dance, acclaimed internationally for path-breaking productions and cultural diplomacy.
Recent honours recognising artistic excellence and leadership.

Bharatha Kala Ratna • New Delhi
Recognising global impact, artistic innovation and mentorship.

Naatyam Maalika • Singapore
Honouring scholarship, mentorship and cultural leadership.
TRAILBLAZING FIRST
For me Kuchipudi is a perfect combination of spritely lyricism, intricate rhythmic patterns and consummate acting (abhinaya) which lends to its appeal as it adheres to the precepts laid down in the Natya Shastra.
My foray into Kuchipudi, after Bharatanatyam, Kathakali and Martial Arts has given me the opportunity to play and enjoy the new works and experimentations that happens along the way.
As we stand on the shoulders of many great gurus who handed down this legacy, we in turn hope to enrich it, while it enriches us, and pass it on to new generations of aspirants and audiences.
The intense and rewarding experience of performing; the special joy of nurturing new and young talents; the motivation from audiences the world over; the inspiration from life itself – continues to make it a wholesome and fulfilling journey.
The world of dance creates a Kairos space for me where time is non-sequential and qualitative in nature – offering me the sanctuary, fantasy and peace, I so treasure. It has also allowed me the curiosity, the creativity and, I dare say, the cheekiness with which I view life today.
When I am dancing, I feel at peace…. like everything is working perfectly for me and through me…
– Shantha Ratii
TRAILBLAZING FIRST
In a dazzling career spanning five decades, Shantha Ratii has scaled almost every peak in Indian classical dance. Critics hail her as ‘sculpture come alive,’ ‘visual poetry,’ and ‘a rare combination of quicksilver movements and beguiling abhinaya.’ She trained under legendary gurus in Bharatanatyam, Kuchipudi and Kathakali, and was among the first members of the Singapore National Dance Company, representing her country in Australia and Russia. She has performed across the globe – USA, UK, Switzerland, Japan, Iraq, Australia, Russia, and Malaysia – at prestigious festivals and venues. Beyond performance, she has innovated by introducing calligraphy, martial arts, and cross-cultural collaborations into Kuchipudi, creating works that bridge tradition and modernity. Through the International Dance Day (IDD) Festival and Shantha Ratii Initiatives (SRI), she nurtures young artists through her Mentorship programs, finds new ways to address social issues of our time like environment, coping with Covid and inspires new audiences. She acts as a catalyst for building a cohesive and strong multicultural art landscapes in Singapore while promoting Indian Culture Worldwide.
TRAILBLAZING FIRST
In a dazzling career spanning five decades, Shantha Ratii has scaled almost every peak in Indian classical dance. Critics hail her as ‘sculpture come alive,’ ‘visual poetry,’ and ‘a rare combination of quicksilver movements and beguiling abhinaya.’ She trained under legendary gurus in Bharatanatyam, Kuchipudi and Kathakali, and was among the first members of the Singapore National Dance Company, representing her country in Australia and Russia. She has performed across the globe – USA, UK, Switzerland, Japan, Iraq, Australia, Russia, and Malaysia – at prestigious festivals and venues. Beyond performance, she has innovated by introducing calligraphy, martial arts, and cross-cultural collaborations into Kuchipudi, creating works that bridge tradition and modernity. Through the International Dance Day (IDD) Festival and Shantha Ratii Initiatives (SRI), she nurtures young artists through her Mentorship programs, finds new ways to address social issues of our time like environment, coping with Covid and inspires new audiences. She acts as a catalyst for building a cohesive and strong multicultural art landscapes in Singapore while promoting Indian Culture Worldwide.
TRAILBLAZING FIRST
Blending classical purity with creative innovation, she redefined Thillanas as rhythmic Sawal–Jawab woven with intricate footwork. She expanded the repertoire with regional sahitya, Varnams, and Ninda Stuthis, and revived Vachika Abhinaya in Bama Kalapam. In Veera Naaree, she introduced English dialogue for Queen Rudramma’s soliloquy—an artistic first. Her Suddha Nrittam celebrated the mathematical genius of Gurus through rhythmic cycles, while Infinitely Yours Atchyuta, inspired by the Bhagavad Gita, conveyed lessons in character building to youth and professionals. She has also beautifully interpreted the Nirguna and Saguna philosophies of Kabir and Meerabai, enriching Indian classical dance with timeless meaning and modern relevance.
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“Precision and grace held in luminous balance.”
“Destined to shine as a lovely Venus among the stars.”
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